Untitled Document
Green Day
21st Century Breakdown
There's a good quote I read recently about Quentin Tarantino. I'll paraphrase here: "Quentin Tarantino knows more about movies than anyone I've ever met. But he has the worst taste in the world." I think the same could be said of Billy Joe Armstrong. The guy knows pop music. He can write a downright perfect melody without even trying. Just about every song he's written since Warning (and a high percentage before that) have had the potential to be "hits." And that goes for Green Day's "Foxboro Hot Tubs" side project as well. Hell, those were almost better than some Green Day fare. Yet, how does he, a 37 year old multi-millionaire, choose to present his borderline-genius pop sensibilities? By writing a pop-punk "political rock opera" about two rebellious teenage outcasts trying to make a world for themselves in this crazy mixed up country. And sure, it was new and exciting when he did it with American Idiot (that is, if you completely ignore the story and most of the lyrics), but did he really have to write a second one? Did anyone ask for this? Not only is it inferior to American Idiot in just about every way, but you couldn't even tell it was a "rock opera" if the press hadn't been salivating at the phrase for the last 3 months. Where are the 10 minute long song-suites? Where are the epic horn sections and choirs? Hell, half the songs completely rip off melodies from Idiot. If you're going to follow up a rock opera with another rock opera, you've got to at least try.