Untitled Document
Metallica
And Justice For All
Whether you want to picture Metallica's career as a pyramid, a parabola, or a preternaturally precarious precipice, it's hard not admit that the graph's paramount peak (pinnacle?) is precisely positioned (okay, I'm done now) at the 4:33 mark of ...And Justice For All's fourth track--that part in "One" where the drums start going "duddleuh-duddleuh-duh, duddleuh-duddleuh-duh." The whole song is a thing of perfection, but when that breakdown starts and you know all hell is about to break loose, it just doesn't get much better than that. And there isn't another 3 minutes in the Metallica catalogue that is as tight, focused, and flawless as the last three minutes of that song. I love every beat of it. In fact "One" is buried so deep in my consciousness that when I listen to it under just about any circumstance, it takes control of my entire nervous and circulatory systems. I think it must be the same thing that makes crazy Baptists speak in tongues and Himalayan monks keep from freezing to death. And that dual-guitar solo at the end. Holy moly.
Untitled Document
Metallica
And Justice For All
The criticism of Metallica's 1988 ...And Justice For All album is the awful, awful recording quality. Specifically, its noticeable lack of bass. Cliff Burton had recently died, and whether it was out of spite, remorse, or whatever, they just pushed the new guy's bass back practically to zero in the mix. Basically, it sounds like it was recorded with cardboard microphones. In the last week or two, I've been snooping around the net a little bit to find if anyone has ever actually gone through and re-recorded the bass parts over the existing record (like a guy did a few years back to a White Stripes album), just to hear what it might sound like. And wouldn't you know it, thanks to the ease of digital audio nowadays, there's a lot of it out there. Some guy actually posted a bunch of recordings on YouTube with "enhanced original bass" on them. The bass is actually way too loud in the mix, but it's incredibly interesting to hear the parts that are supposed to be on the real record. Then tonight I downloaded the entire album that some guy "remastered" himself; basically he beefed up the sound, added some reverb and a little bass (but didn't re-record anything or use any master tracks). While that was fairly interesting to hear, it really makes me hope that some day the band decides to take the master tapes of the album and do a legitimate remastering job on it. But really, as long as the album has "One" and "Dyers Eve" on it, the other seven songs could be kazoo solos recorded with a Fischer Price cassette tape recorder and it would still be better than just about every metal album recorded before of since.