Untitled Document
A Camp
Colonia
At first listen, I was pretty disappointed with this new A Camp album (A Camp being a "solo" project of Nina Persson from The Cardigans). And that disappointment came solely from the fact that, despite his full-fledged membership in the band and equally full-fledged marriage to Nina Persson, Nathan Larson's influence was nowhere to be heard on any of the songs. While his street cred comes from his days with Shudder To Think (I've read the phrase "guitar god" used at least once), he's more familiar to myself as the mind behind Mind Science of The Mind (now say it in pig latin!). Basically, the man is a wonderful musician who has created for himself a completely unique and recognizable style, some of which I was hoping would leak onto the A Camp album, but sadly did not. But after that initial let down, I keep coming back to it, and it's growing on me more and more. Stylistically, it's not too far from The Cardigan's "Long Gone Before Daylight" album... lush, organic adult pop rock. But some of the songs are almost theatrical in nature; the lyrics are smart, melodies don't always end up where you'd guess they would, choruses don't necessarily show up in the standard spots. Kind of like how Nathan Larson would write them. Hmm. Anyhow, the first track is like the opening number from some demented Disney musical (in scope, not execution, sorry). There's also a duet where Nina and a dude singer actually use each other's first names. That's always cute.