Untitled Document
Animal Collective
Merriweather Post Pavillion
Okay. I was a little too harsh the first time around. It's growing on me, but a lot of my original criticism still stands; it needs more ups and downs, louds and softs, and less of a constant synthetic din of noise (and where's the guitar and drums?). Otherwise, once I've thrown my expectations out the window, I'm starting to enjoy it a little more.
Untitled Document
Animal Collective
Merriweather Post Pavillion
This really frustrates me. Completely. I first heard these guys back when Sung Tongs came out, and Pitchfork went totally head over heels for it. I listened, was mostly like, "Huh?", and pretty much ignored it. But one song on that record, "Who Could Win A Rabbit" totally blew my mind. I couldn't understand how four human beings could sit down and write a song like that; it's just so far outside of anything else out there, and yet completely catchy and singable. So my interest was peaked. Then they released Feels, and completely won me over. I actually told a friend once, "If they play their cards right in the next couple years, Animal Collective could seriously be the best band in the world." But wow. They've totally blown it. Strawberry Jam, I thought at the time, was a throwaway electronic experiment. So I've been unbelievably excited for Merriweather Post Pavillion, ready for them to get back to their more organic, acoustic foundations. But that didn't happen. This new one is just as soulless and electronic and unrelentingly harsh as the last one. And what's worse, at least one time through listening, is that there aren't even as many memorable tunes. It's just 60 minutes of unceasing pounding and hollering. Well, okay, that's a little harsh, but still, when compared to the best parts of Sung Tongs and Feels, it's absolutely not up to par. And thus, the Animal Collective joins The Microphones, Augie March, and Andrew Bird in the BTCHBBTJ club. And I'm sorry, but I don't feel like typing out that entire acronym. Just take your best guess.