Untitled Document
Deerhoof
Offend Maggie
I know this album came out last year, but I just had one of those "Holy cow" listening experiences with it yesterday. I mean, Deerhoof is Deerhoof, and you get pretty much exactly what you expect. But it really blew me away this time just how out there they are. Yes, this is rock music, and it's nothing more than drums, bass, guitar, and voice, but these guys are really coming from a different place. They're playing chords that are seemingly being invented on the spot, and melodies that are so devoid of comparisons and references that you'd think they're coming from a group of culturally innocent outsider savants who only discovered music the day before. Beyond that, the engineering and recording on Offend Maggie is some of the crispest and purest I've ever heard. You may as well be standing in the middle of their practice space. And that distorted guitar tone, wow! The whole album is really a thing of amazement, and I'm a little bummed I hadn't really given it the respect it deserves, since from afar it appears to be "just another Deerhoof album." Sure, you could try to create a comparison mixing Shudder To Think and Japanese pop and who knows what else, but you'd be better off to admit that, for better or worse, Deerhoof is simply operating on a different plane as everyone else.