Untitled Document
Green Day
Insomniac
Despite the fact that I'm listening to it right now, I can't imagine the type of person that, when confronted with the question of "What should I listen to now?" would pull out Insomniac. I mean, if you're going to listen to Green Day, fine. But the obvious albums one would choose would be (in no particular order) 21st Century Breakdown (because it's the newest), American Idiot (because it's still awesome), Dookie (because some people like to reminisce), Warning (because it is still the best album they've ever recorded, according to this guy), Nimrod (because it's officially when Billy Joe became a songwriting behemoth), Kerplunk and/or 10,000 Something Or Another Slaphappy Something (because I'm sure there are a handful of "I knew them before they were big" Green Day traditionalists out there. And I can't imagine what they've been going through in the last 15 years). But Insomniac, despite having a few good songs on it, seems so insignificant compared to pretty much everything else they've ever released. Of course, as soon as I typed that, "Brain Stew" started playing and suddenly it's 1995 again. Holy cow. I had forgotten this song existed. And that it was awesome. And to think MTV played this WITH its tagalong song "Jaded" back in the day. A lot. But if it hasn't already, it will eventually disappear to history, overshadowed by everything else the band ever did. Speaking of which, I just remembered their video for "Redundant," off of Nimrod. That was pretty great. See, now I have to go find that album and give it another listen. Stop reading this. Leave me alone.
Untitled Document
Green Day
21st Century Breakdown
There's a good quote I read recently about Quentin Tarantino. I'll paraphrase here: "Quentin Tarantino knows more about movies than anyone I've ever met. But he has the worst taste in the world." I think the same could be said of Billy Joe Armstrong. The guy knows pop music. He can write a downright perfect melody without even trying. Just about every song he's written since Warning (and a high percentage before that) have had the potential to be "hits." And that goes for Green Day's "Foxboro Hot Tubs" side project as well. Hell, those were almost better than some Green Day fare. Yet, how does he, a 37 year old multi-millionaire, choose to present his borderline-genius pop sensibilities? By writing a pop-punk "political rock opera" about two rebellious teenage outcasts trying to make a world for themselves in this crazy mixed up country. And sure, it was new and exciting when he did it with American Idiot (that is, if you completely ignore the story and most of the lyrics), but did he really have to write a second one? Did anyone ask for this? Not only is it inferior to American Idiot in just about every way, but you couldn't even tell it was a "rock opera" if the press hadn't been salivating at the phrase for the last 3 months. Where are the 10 minute long song-suites? Where are the epic horn sections and choirs? Hell, half the songs completely rip off melodies from Idiot. If you're going to follow up a rock opera with another rock opera, you've got to at least try.