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Harry Nilsson
Harry
Steve's Harry Nilsson Fandom Update: I've slowly been buying Nilsson's mid/late career "lesser" albums over the last few months, and all are mixed bags. It seems there's usually 2-3 good songs and a bunch of filler, and it all reeks of Harry just not trying too hard. But I'm surprised with Harry, which sounds a whole lot closer to Aerial Ballet than anything else, and much of it very good. But now that I'm looking at it, it seems Harry is from 1969, which isn't mid/late Nilsson at all. My mistake. It's not as good, or at least as immediate, as Aerial Ballet, and his vocals seem slightly passive. It has a more mellow vibe in general, I guess. But one great standout is a cover of the Beatle's "Mother Nature's Son," which is just as strong as the original. Less impressive is his cover of Randy Newman's "Simon Smith And The Amazing Dancing Bear," which seems a little too fluffy and tossed-off in comparison to anything on Nilsson Sings Newman. All in all, it seems that for as strong as this album would be in a vacuum, just about every track on it seems like a slightly inferior version of something he'd either already recorded, or would record in the future.
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Harry Nilsson
Sandman
Roadrunner came through again for me, this time with a pristine vinyl copy of Sandman, one of the latter-day Nilsson albums where he's pretty much completely wasted and not taking his music the least bit seriously, and yet still making some stupidly funny, smart, catchy numbers. Just listen to these lyrics to his song entitled "How To Write A Song": "If you write it on guitar, place your guitar upon your knee. If you write it on piano, don’t do that." The guy is making a total mockery of the very idea of songwriting, yet succeeding at it at a higher level than practically anyone else in 1976.
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Harry Nilsson
The Point
I don't know if I'm crazy or what, because I can't find a single written reference to it, but it sounds to me like Nilsson is actually using tape loops and electronic percussion on a few songs on The Point. Am I imagining this? Listen to "Me And My Arrow" and tell me you don't hear it. "Poli High" is the other one. And really, every other track is Nilsson's story narration, which features repeating bars of music in the back. Even those sound so perfect that there has to be some sort of looping happening here. I just don't understand why nothing I can find to read about this album talks about this. It was only 1971; electronic elements in music weren't exactly en vogue yet. In fact, according to most sources, 1971 marked the first time that any pop artist featured electronic percussion in a single, that being a slightly obscure cover of a Sly And The Family Stone track. I really need to dig deeper into this, because it's kind of blowing my mind.
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Harry Nilsson
Son Of Schmilsson
I just wrote a big long post about Harry Nillson's Son of Schmilsson, but after reading it a couple times, realized it was completely useless. So in lieu of a new related article, and because I never programmed a 'delete post' function into this blog (among the many other things I didn't program into it), I'll simply leave you with a link to the song "Joy," which is all you need to hear to be as confused about the recording career of Harry Nilsson as I.
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Harry Nilsson
Nilsson Sings Newman
I don't know what's happening to me, but I've very recently found myself thoroughly obsessed with Harry Nilsson. He was always one of those "People like him, maybe I'll check him out someday" guys, until that "someday" finally came a couple months ago, when I picked up Nilsson Scmilsson for a couple bucks at Circuit City's going out of business sale. Funny thing is, I wasn't even that impressed with it after my first couple listens. But it slowly grew on me, until I finally realized that this Nilsson guy really knows what he's doing. Then a couple weekends aqo when she was in Phoenix, Libby bought me a copy of A Little Touch Of Schmilsson In The Night at a Goodwill. We listened to it the other day and I was suddenly completely won over. Great voice, great taste, great songwriter. Weirdo. How could it get any better? Oh, how about the fact that he recorded an entire album of Randy Newman songs with Newman on piano! As soon as I read that, it became my life's goal to find a copy of that record, listen to it, and then live out my remaining years sitting quietly waiting for death to come. My grand search lasted all of two days, because when I walked into Roadrunner Records today, and the first record I saw, in the front of the first pile of new arrivals, was Nilsson Signs Newman. It was as if God had simply floated it down to me, all glowing and gilded and whatnot. But like that guy in the Twilight Zone, who finally got all the time in the world to read, only to have his glasses accidentally and irredeemably destroyed, the album was a cheap re-release, with different cover art and no liner notes. So there I stood, faced with the greatest ethical dilemma of my adult life: Do I buy this lamer, lesser album and still go home and enjoy the music at face value, or do I make the final transformation into an unbearable record collector prick and wait to find an original pressing? Not unlike Robert Frost before me, I decided to buy the damn record and live with it. And it's not too bad, although I think I like his other stuff better.