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Jon Brion
Magnolia soundtrack
I finally got my hands on a copy of Harry Nilsson's Aerial Ballet, a beautiful record that I won't waste my time slobbering over on this stupid blog that no one will ever read. But what I discovered on this record is something that really blows my mind. Blown like a Gary Anderson field goal, even. So a couple tracks into Aerial Ballet, there's a song called "Together." It's a fantastic tune, with this circular melody that is one of those that makes me wonder, "How does someone sit down and write something like this?" Anyhow, I'm listening to it and enjoying it, but there's something very familiar about the whole thing. And then towards the end, he sings the lines "Life isn't easy when two are divided / and one has decided to bring down the curtain / and one thing's for certain there's nothing to keep them together." Unbelievable wordplay, but more to the point: Holy shit, that's what Jon Brion sings as background vocals at the end of Aimee Mann's cover of "One" on the Magnolia soundtrack!. Of course it was only a matter of time until my long-time-love for Jon Brion and my newfound fascination with Harry Nilsson would collide in a way that makes me wonder why I haven't been listening to Nilsson for the last 8 years. But it gets better. I go online to just see what has been written about Brion's little reference (since "One" was written by Nilsson and is also on Aerial Ballet it makes a ton of sense that he threw it in, but is even more amazing in that the line fits perfectly, and caps off the song in a way that I would dare say makes it the superior version, apologies to Three Dog Night), and while there was no reference to Brion singing a part of "Together" on the track, it is referenced on Wikipedia that the very opening sample of "One" (the part that goes "Okay, Mr. Mix"!) is actually a sample from an earlier Harry Nilsson recording "Cuddly Toy"! But Wait, There's More! All that stuff got me really excited, and I went back and listened to the Magnolia version of "One" a few times, when at the 2:54 mark, there is this other memorable Jon Brion background part, essentially an un-verbal harmony that verbalizes into "Oo wa, oo wa, ow wow wow." At this point I'm thinking that it sounds an awful lot like how Nilsson would vocalize those notes. So I go back to Aerial Ballet, and right away on the first track, "Good Old Desk," Nilsson sings, "Oo wa, oo wa, ow wow wow." Jon Brion, you sly old dog! So now he's recorded an Aimee Mann cover of "One" that references 4 separate Harry Nilsson songs in a way that %0.001 of the listening audience will ever realize, all because he's Jon Brion and this is the kind of shit he does, and he's better than you and that's just how it is. And, oh yeah, the song "He Needs Me", that anchors Brion's Punch Drunk Love soundtrack and was originally written for Robert Altman's Popeye movie? Guess who wrote that one. Yep. Fuck.
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Jon Brion
Of Montreal Remix EP
Okay, so technically this is Of Montreal's Jon Brion Remix EP, not the other way around, but 'tomatoes tomatoes,' right? Wow, that phrase doesn't really work when typed. Anyway, I'm just not sure about this one. Jon Brion can do no wrong usually, but these remixes seem barely even remixed. Honestly, the first track left me wondering what even made it different than the original. The second is an 'acoustic' version of the same song, which is cool, but at the same time it's really not very special by Jon Brion's standards. A couple of the instrumentals at the end are a little more jubilant and Briony (although they focus heavily on bloopy bleepy 8-bit electronics, which aren't really his cup of tea), but still not to the point that convinces me that this EP needs to exist. I'm never going to complain about an official Brion release of any sort, since they're certainly not easy to come by, but this one seems a little phoned in to me.
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Jon Brion
Synecdoche, New York Soundtrack
I finally gave in and bought Jon Brion's Synecdoche, New York Soundtrack on iTunes last night (I know, I know), and my first impressions were pretty much correct. It's very score-y. BUT, the last song on it is this little 40's-50's sounding ode to Schenectady, that was quaint and cute at first, until I realized that the male choir that was singing was entirely Jonny Boy Brion himself! Totally singing in this put-on archaic-choir-guy voice. I couldn't believe it. And then I listened to the lyrics, and they were all about death, and regret, and those sorts of things, which is pretty amazing, given the tone of the song, and the themes of the movie, it was yet another Jon Brion triumph!
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Jon Brion
Synecdoche, New York Soundtrack
We went to see Charlie Kaufman's new movie Synecdoche, New York on Saturday, and while I haven't glued enough pieces of my exploded skull back together to give any reasonable critique of the movie, I am pleased to say that my boy-toy Jon Brion did the soundtrack for it. The music wasn't too prevalent in the film, but from what I heard (and the clips I listened to on iTunes) make it seem like a pretty nice listen. I'd say it's more similar to Eternal Sunshine than to Punch Drunk Love or Huckabees. Very score-y, although there doesn't seem to be any one overarching melodic theme. And it's topped off with a couple of jazzy pop songs he wrote, which are (unfortunately, in my opinion) sung by a female jazz singer. Pretty good stuff nonetheless. And the movie is a thing to behold.