Untitled Document
Langhorne Slim
Be Set Free
I think Langhorne Slim is just trying too hard nowadays. His old stuff is all pretty spare, just acoustic guitar, stand-up bass, drums and the occasional banjo, and yet it was supremely energetic and energizing. Since then, like on this new album, it's as if he's trying to manufacture the energy through some generic idea of, uh, epicness. Every song is the same sort of slow build, ending with pianos and strings and choruses, and I don't know. Watch this guy live and you'll see all he needs is a guitar and a microphone, and he's a force of nature. But now he's trying to make these grand statements, and it's all just coming out sounding the same.