Untitled Document
Mastodon
Crack The Skye
Now here's an album that is not only a heavily conceptual thinkpiece and a stylistic left turn for the band, but also a successful one. You can tell I'm serious because of all the italics. Are you taking notes, Decemberists? I certainly wouldn't recommend anyone unfamiliar with Mastodon to make this their starting point with the band, as it lacks a certain Je Nous Se Qua (translation: that thing that makes you want to tip over a police car and sacrifice a goat... but my French might be a little rusty). The whole thing has more in common with the Mars Volta than it does with early Mastodon, but unlike the Mars Volta, you actually want to go back and listen again once it gets to the end.
Untitled Document
Mastodon
Remission
I'm listening to Remission right now, which I don't do often because Libby is allergic to music that totally rocks. The last two Mastodon albums have both been so good (particularly the last one) that I sometimes forget how ass-kicking and unique their first one is. They've gotten a lot more "musical" and "traditional" on the last two--in a good way, mind you--but Remission is something I can only describe in language that should only be used by guys with Slayer tattoos. Like, say, "brutal," "sick," "devastating," and, I don't know, "ferocious." With help from the thesaurus, I could also describe it as "lupine," "sanguinary," and yes, even "truculent." Hell, the first track is called "Crusher Destroyer" for cripes sake! How much more truculent can you get?