07.16.2018
Gang Gang Dance
Kazuashita

Gang Gang Dance is the type of group that I always feel has the potential to do something truly transcendent. Despite not really being "my kind of thing," their last album Eye Contact really blew me away, and had a few moments on it where I just wanted to stand up and find anyone around me to yell "are you hearing this‽" at. Other moments of it, meanwhile, were just kinda good. So then here, after like 5 years, we have Kazuashita, which is better than just kinda good, but at the same time doesn't seem to have any of the "are you hearing this‽" moments in it that I wish it had. It's just mostly very chill, and borderline new-age. So yes, it's a very pleasant listen all the way through, with one almost transcendent moment, although it's a bit of a cheat because it comes from a spoken word vocal sample layed over the music rather than the music itself ("buffalo".) But hey. It's a nice listen and I like it.

07.11.2018
Self Defense Family
Have You Considered Punk Music

So this is a band called Self Defense Family, and the album is called Have You Considered Punk Music, and it's one the most earnest collections of musical recordings I've ever heard. It's good and you should listen to it.

07.09.2018
Kamasi Washington
Heaven and Earth

I'll be honest—I haven't actually listened to Heaven and Earth in full yet. I'm not even sure how that's supposed to be done; every song on it is the biggest, fullest, most epic jazz odyssey ever recorded, and there's two discs worth of it! It's like watching 2001 front to back and then turning on Andrei Rublev without even getting up from the couch.

That's a terrible comparison and I'm going to edit it out later. But I'm just trying to get this music blog done so I can go to bed, so let's keep moving, yes? So: everything that Kamasi Washington has recorded so far is astounding, and Heaven and Earth is too. Just the most correct shit, over and over again, one track after another. Choirs, strings, dueling drum sets, vintage synthesizers, noise prog guitar solos, spoken poetry, wah pedals, talk boxes. Everything is on this album. You're probably on this album. Bet you didn't know it. The craziest thing about all of it is that it all makes sense.

07.09.2018
Natalie Prass
The Future and the Past

I didn't like the first Natalie Prass album all that much at first. But then I liked it a little more. And then I liked it a lot more. And now it's one of my favorites of the last few years.

I don't like this new Natalie Prass album all that much.

06.19.2018
Father John Misty
God's Favorite Customer

It's interesting how little I have to say about this album, in relation to how much I like it. I mean, not that interesting. But like, know what I mean? It's a completely solid album from front to back, and Father John Misty is a songwriter par excellence, truly and not even ironically the Randy Newman of our generation; which isn't to say that he sounds like Randy Newman or that you'd ever confuse the work of the two, but he's a too smart for his own good asshole, who treats the art of songwriting itself like a test that he has to ace, blindfolded and with his left hand, a tight rope slung in between towers with no net that he's going to walk across even though nobody asked him to. But the motherfucker nails it, is the thing, every time, even if tight rope walking isn't that big with the kids these days.

06.19.2018
Ryley Walker
Deafman's Glance

I liked this Ryley Walker album a lot, but then it struck me just how much it sounds like Jim O'Rourke. Now I still like it a lot.

05.26.2018
Courtney Barnett
Tell Me How You Really Feel

I've been as much of a Courtney Barnett advocate as anybody in the last few years, proclaiming to anyone who will listen how she is One Of The Great Music Authors of our generation, a rare Genuine Voice in a world full of poseurs and trend hoppers. What I'm saying is that's she's the fuckin best. Listen to "Avant Gardener"! Listen to it! Do you hear it??

So anyway, she just released her third album, which very learned people will tell you is um actually he second album, since her first album is just a collection of 3 EPs, even though that's nonsense and this is her third album whether you like it or not. It's a bit of a departure, in that it's all a bit darker, slower, seemingly basking in ennui rather than writing circles around it. It's good, I like it. It just seems like she's going through some stuff, man, you know? Except there's this one part on "Need A Little Time," in the chorus, where she switches from "Me...eeee...eeee.eeee" to "You...ooooo...ooo," and the chord changes and the guitars crunch a little more, and it's glorious. Listen to it! Do you hear it??

05.24.2018
Eleanor Friedberger
Rebound

Good tunes.

05.22.2018
Beach House
7

This new Beach House album has really great cover art. It's printed on a shiny, metallic, somewhat opalescent paper that cuts through the black and white pop art, and is very psychedelic and cool and was probably very expensive for Sub Pop to manufacture. This is also the review of the Beach House album. 7/10.

05.02.2018
Yazan
Hahaha

Weirdo psych blues rock that sounds kinda like Retribution Gospel Choir is Retribution Gospel Choir was a lot funner and a little goofy. To be honest I bought this on a whim, and I keep forgetting about it.

04.16.2018
R.E.M.
Monster

I've been listening to "What's The Frequency Kenneth" endlessly in the last few days. It's a strange choice, I know, but the song has completely hooked itself into me. The proximate blame goes to Scott Aukerman and Adam Scott's new podcast "R U Talking R.E.M. Re: Me?", where they talk about R.E.M. for an hour every week, even though they haven't even gotten to Monster yet, and really I don't find their analysis and discussion of the band all that interesting. It's just a fun goofy listen. But what it has done is made me revisit their records with fresher ears, and ultimately that's what's making me think I've grossly underestimated these guys my whole life. They're really fascinating once you lay it all out, almost by being so un fascinating. There are no major peaks and valleys to their career; there's no drama, no grand failed experiments, no major lineup changes. And yet since 1983, these dudes have released so many undeniable hit songs, entirely in their own voice, making (practically) no concessions to fashion or popularity. Every single album (at least until the 21st century, where you can forgive them for being 20 years into their career) has at least one song on it, usually 2 or 3 and sometimes 4, which would be any other band's creative pinnacle, most of which have since entered whatever we can describe as the modern rock/pop canon. It's remarkable.

Even Monster, which at the time perhaps got some criticism for selling out to some grungy, alt-rock zeitgeist, has mostly aged beautifully, and contains at least 2 all time greats. One of which, to take us back to the lede, is "What's The Frequency Kenneth", which, again, was kinda made fun of at the time for being alt rock nonsense. But listen to it! It's great! It's an undeniable jam. And even though they might've distorted the guitar a little more than previous albums, it is anything but a grunge cash in. It's pure and beautiful and perfect. And lucky for all of us, you can find dozens of copies Monster for $2 or less at every used record store and thrift shop in the country.

04.15.2018
Hop Along
Bark Your Head Off

I wish this rocked more.

04.04.2018
Daphne & Celeste
Daphne & Celeste Save The World

Okay, the title up there says "Daphne & Celeste Save The World," which is technically true, albeit probably meaningless to anyone reading this right now. But in reality, this is really a Max Tundra album, his first in a decade. Whu-whu-whaaat? Let me explain, because it's bizarre!

Backstory #1 is that Daphne & Celeste were a thoroughly disposable teen pop duo in England back in 2000, who had one or two earworm bubblegum pop hits that apparently had no traction in the US, but drove the Brits completely crazy. Like "Barbie Girl" and "Crazy Frog" levels of crazy. There's a famous story about them playing at some festival and basically having shit thrown at them from the crowd to get off the stage. Backstory #2, is that Max Tundra is this insane genius electronic experimentalist with a knack for undeniable pop melodicism and a cheeky sense of humor, who spends years and years completely out of the public eye, seemingly too clever for his own well being, crafting his music like one of those guys who carves photorealistic landscapes on thousands of grains of rice. It's been 10 years since the last Max Tundra album, Parallax Error Beheads You, and I basically assumed he was dead.

But what happened is he was actually writing and recording his new album. Except instead of a Max Tundra album, it's a Daphne & Celeste album??? Listening to this record, there is no confusion about who's music this is. This is Max Tundra through and through, from the batshit cut up production, to the melodic signatures, to the fact that there is at least one love song to a synthesizer. No, not recorded with a synthesizer, but about a synthesizer. Did I mention Max Tundra is the best? Anyway, while his own voice is nowhere to be heard, Daphne & Celeste do just fine taking his place, and give the whole album a surreal feel of a bubblegum pop album completely out of time, frankensteined together almost as a joke, but way too comprehensive and smart to actually be a joke. I don't know how this project came together, how Tundra convinced Daphne & Celeste to jump off a cliff with him, but holy hell is it weird and fascinating and a complete joy.

04.03.2018
Mount Eerie
Now Only

The last Mount Eerie album was a towering masterpiece of grief and honesty and poetry, born out real life death and mourning, completely uncritiqueable and undeniably perfect. Now Only feels like a lesser, lighter follow up to that one, even though it is also all of those things. But it couldn't really be anything else, and that's okay. RIYL: crying.

04.02.2018
4th Curtis
I Won the Pageant

Holy cow, it's a local band that's actually good and actually excites me! 4th Curtis—not to be confused with Cowboy Curtis—plays totally solid 90's alt-rock-inspired indie pop on Girlpool-Trust Fund-Frankie Cosmos spectrum. I saw them performing randomly at halftime of a roller derby event, expected absolutely nothing of them, and after just a couple songs was totally sold. They're good! Good songs! Good music! Cool!

07.09.2018 - by Steve
The LynhallUptown Minneapolis
Biscuits and gravy

Food Halls (aka Food Courts with a superiority complex) are becoming a thing. In London and Manchester, they are very much already a thing. I imagine in New York they are also a thing. And with the opening of the Lynhall, they are now a thing here. Sort of? Because I don't think the Lynhall is actually a food hall. A food hall, as far as I am aware, has multiple vendors selling different types of food all under the same roof with a communal seating area. The Lynhall seems to basically just be a counter-ordering restaurant; there's just one menu, just one register, seemingly just one kitchen. It's basically just a more expensive 'fast casual' restaurant!

But whatever. My biscuits and gravy (oh, I'm sorry, drop biscuits) were tasty. The whole place is a little annoying, and there was a weird interaction at the register where the cashier seemed insistent on recommending a new sushi restaurant to us, which made me think that Lynhall and the sushi place are run by the same people and the employees of each are required to buzz market the other, but that's a whole other thing.

10.17.2017 - by Steve
Isles BunUptown Minneapolis
Cinnamon bun

It's very easy to forget that Isles Bun exists. And that's actually not that bad, because you really don't need to eat these things any more than once or twice a year. But just remember, when you really need that cinnamon roll, feeling some deep longing for the decadence of a Cinnabon without the requisite shame that accompanies it, swallow your pride and go to Uptown and slather your feelings in frosting from their little tub.

09.28.2017 - by Steve
MilkjamUptown Minneapolis
Black chocolate and Turkish coffee ice cream

Milkjam is always busy. Annoyingly busy. Like lined up out the door, every time I go by it, no matter the time of day or season of the year. Also annoying is the fact that it's called "Milkjam", and sells expensive ice cream out of a new construction condo on Lyndale. Most annoying of all: shit, it's really good.

09.11.2017 - by Steve
Nico'sUptown Minneapolis
Tacos

Nico's is the current 'other' house-based restaurant on Hennepin, right next to (the tasty-but-I-can't-believe-they're-still-in-business) Namaste Cafe. It's basically a Mexican place with decent tacos and a nice porch. You could do worse.

08.17.2016 - by Steve
World Street KitchenUptown Minneapolis
Beef shawarma tacos

I'd been to World Street Kitchen a number of times before, and always liked it, but beyond the awesome aloo tikki chaat side dish (which is no longer on their menu, whaaa), I was never floored. Until these beef shawarma tacos came along. And now consider me floored.

08.17.2016 - by Steve
Giordano's Uptown Minneapolis
Chicago style deep dish pizza

Best thing about Giordano's pizza is how there's so fucking much of it.

02.04.2016 - by Steve
Lowry Hill MeatsUptown Minneapolis
Roast beef sandwich, salami sandwich

Lowry Hill Meats wants you to know it is a premium meat purveyor for those with a sophisticated modern urban meat purveying sensibility, and will sophisticatedly purvey said meats for anyone willing to pay a premium for the purveying of sophisticated meats. They will even put those meats into a sandwich for you, in between two pieces of locally baked european bread. You will like the sandwich, because what's not to like? But will you love the sandwich? Can anyone truly love a sandwich?

(Yes. The answer is yes. Just go to Clancey's and get a roast beef sandwich. You will love it. Lowry Hill Meats, meanwhile, you will like just fine. But that's all.)

12.10.2015 - by Steve
Rainbow ChineseUptown Minneapolis
Basil cashew chicken, Singapore mei fun

It's been years and years since I last went to Rainbow, but it seems like not much has changed. It's still good. It's still better enough than your neighborhood China Dragon Wok Star Garden to earn its slightly higher price tag. It's still dark and lonely and secluded on the tail end of Nicollet Avenue. And I'm still glad it exists, because beyond a handful of Szechuan style joints, there are actually shockingly few quality Chinese restaurants to be found in the Cities. Sad to say, but after, say, Mandarin Kitchen and Evergreen and whatsitcalled over off 394, a place like Big Bowl is actually Rainbow's closest competitor. So they'll probably be around for quite a while longer.


(1)
07.24.2015 - by Steve
Prairie DogsUptown Minneapolis
Duck fat and foie gras dog, chili dog

I'll get this out of the way first. Prairie Dogs should be a counter-service eatery. Period. For what they serve (all sorts of fancy hot dogs and sausages), they don't need to be full service. Drives me crazy. This city needs more counter service places. Oh, and also their interior decoration is completely wrong. It's the generic hipster/Pinterest/reclaimed-barn-wood/architectural-antique-lighting-fixture-chic that every fucking restaurant does these days. I'm tired of it. They need to be more like Chicago's (now sadly but maybe mercifully defunct) Hot Doug's. Just make a fun, easy, un-fussy little counter-service joint, and blow people's minds with your crazy hot dog inventions. And about those hot dog inventions... they seem to be on the right track with what I had, even if I didn't exactly love it. The chili dog was fine, though it had a cheddar sauce which was a bit overpowering. Good cheddar, at least, not just crappy Velveeta. A little too rich. The other dog though, seemingly the crown-jewel of their menu, was a dog fried in duck fat (psst, Hot Doug's!), and topped with a currant-and-apple relish, and some foie gras-based concoction. I have to say, the relish was great, but there was some flavor I was catching between the foie gras and the duck fat that I actually found really gross. Like, almost gag-reflex gross. This is probably my fault. I'm not blaming Prairie Dogs. It was a flavor I've experienced before, and didn't like it then, and don't like it now. Yuck. But anyway, the owner was working the bar, and seemed really decent and nice, and patient with his 20-year-old hipster employees, and we had a pleasant conversation about Robin Trower. And they had the Twins game on the TV. So I'll be back. Just, like, counter service. Please.

07.24.2015 - by Steve
PeninsulaUptown Minneapolis
Roti canai

So now that we have it on record that I don't like Nepalese food (see below), I'd like to add this note: I really like Malaysian food. Peninsula seems to make okay Malaysian food, but my heart is with the more local spot Singapore (though the ownership and customer service situation there is comically charming at best, and aggressively incompetent at worst), and a single curry dish that Sea Salt serves and is maybe one of my favorite dishes in the whole city. But no matter how dull some of their entrees might get, Peninsula offers a roti canai, basically a nice chewy sheet of roti bread, and a little cup of chicken and potato curry dipping broth, which is a damn-near perfect plate of food. Even though it's just meant as an appetizer or side for sharing, I feel like I could eat it and nothing else and be totally happy. And at $4.50, I have to think that it's perhaps the best sub-$5 plate of food you can find in this town.


(2)
07.24.2015 - by Steve
Eat Street SocialUptown Minneapolis
Smoked pork chop

My brother's wedding was held this weekend, and for the big fancy rehearsal dinner, we (perhaps on my nudge-nudge recommendation) brought a big group into a private room at Eat Street Social. It obviously wasn't a standard dining experience, with a crew of 20+ and a small prix fixe menu for such an event, so I won't get too much into detail. But here's the gist of it—Mixed greens: dull. Curry pumpkin soup: interesting, but too rich and strong to have an entire bowl of. Fried calamari: as goodas it's supposed to be. Cranberry thyme sausage: Really, really good. Smoked pork chops with white bean carbonara and ratatouille: Really, really, really good. One of the best entrees I've eaten all year. And the portions were surprisingly big. After the desert of pretzel bread pudding, me and everyone else were about ready keel over. Overall, I think I really like this place. I should go back again under less unique circumstances.

11.16.2014 - by Steve
Lake & IrvingUptown Minneapolis
Pulled pork sandwich

Lake & Irving is somewhat invisible, hidden away from the Uptown suck-hole, down Lake street (and Irving, clearly), across the street from Barbette. But it's the best kind of invisible. It's not huge. It's not loud. It's not full of Uptown party girls. It has no "theme." It doesn't have a quirky old woodcut image painted huge on its wall. It doesn't have a bar made from reclaimed fishing boats. It doesn't have a tasteful shelf of mounted rodent skulls in bell jars. It doesn't have a wall of TVs or posters advertising Summit 2-for-1s. It's "just" a restaurant. But my food was delicious, the service was super pleasant, the prices were reasonable, and it was lit well enough to be able to read my book at the bar. This is all that I want! I'm actually kind of astounded that this place is allowed to exist within the boundaries of Uptown. And I hope it sticks around for a while, but I worry its potential audience (reasonable people with taste) have been scared off from that neighborhood permanently.


(2)
11.16.2014 - by Steve
BoneyardUptown Minneapolis
Fried chicken

We all know how I feel about the current state of Uptown, and of the new Minneapolis restaurant scene in general, so I won't depress you here by rehashing my thoughts on that. But this evening I was in a position where I decided to swallow my pride and take off my angry-hat and grab a bite to eat at one of the handful of new Uptown restaurants (or "suburban white person traps," as I like to think of them). Libertine (sigh...) was too busy, so I ended up at Boneyard, which serves "southern style" food in the old Old Chicago space by the bus station. It's big, spacious, expensively designed, and, on a Friday night, half empty. Yikes. Bad sign for Boneyard. Good sign for me, since I could sit at the bar and be left alone to watch the ballgame on TV and eat some fried chicken. And to be completely fair and hopefully positive: it was very good fried chicken! A bit on the crispy side, and drier than I'd like, but very flavorful, and it came with some ghost pepper hot sauce, and some sriracha maple syrup, as well as some hush puppies, cole slaw and a biscuit. Really, it was all very good. But it was also nearly $20 before tip. And there, in a nutshell, is my problem with everything. Do we really need this? Do we need another huge restaurant (owned by the owners of Crave, *eye roll tongue-out emoji*) designed solely to look good in photos and impress out of towners and give some real estate investors a line item for their portfolio? Nobody is going to make this place a regular haunt. It's big and vacuous and unwelcoming and expensive. But it's great fried chicken! Why can't someone just open up a little space, 15-20 tables, and cook up some fried chicken and hush puppies, and not worry about the other 30 menu items, the happy hour specials, the 20 tap beers, the $60k interior design contract, and the fucking scene?

02.15.2014 - by Steve
NightengaleUptown Minneapolis
Spare ribs

My first reaction after eating at Nightengale for the first time was, "What was the point of that?" It was good, I guess. But I didn't (and don't) know what exactly they were trying to do. What is the food saying? What is its mission? If the food were a tree, what kind of tree would it be? The interior was, pub...like? With some slick modern lighting fixtures. And a collection of vintage magnum wine bottles. Who is this for? Why is it here? But you know what? Screw that. A restaurant doesn't need to say anything. It doesn't need a theme. That's how you start getting stuck with the Uptown Cafeterias and the Smack Shacks of the world. Whatever. Nightengale was a nice dark cozy place in which to spend an evening, and they have tasty brussels sprouts and good fries. The ribs were a bit fatty. And everything was a little, like, vinegary. But who cares. It was good. And it's at the very least one small roadblock in the Uptown Theme Park venturing too far down Lyndale.


(3)
02.15.2014 - by Steve
Lyndale Tap HouseUptown Minneapolis
Pit beef sandwich

Now that the Lyndale Tap House isn't as new or cool or popular as it might have been for its first couple years (they have a second location in Apple Valley for cripes sake, how cool could it possibly be?), my third attempt to eat there was finally met with success. They claim their specialty is "pit beef", which is some sort of slow cooked, smoked beef roast situation, sliced and rubbed with some seasoning, plopped on a bun with some horseradish and onion. This is what I ordered. It was exactly what they said it was. I was happy with it. Tender, flavorful. No complaints. I still find there's something a little 'wrong' with the Tap House in general, though; there's a vagueness to it, a certain un-specificity about its presence, trying to be something to everyone, based on the simple facts that the terms "tap house" and "pit beef" will automatically bring in some sort of crowd, which it does. The same unspecific crowd of vagues that now fill up Uptown in general, taking up space at the bar and making sure that I had to wait until late 2013 to find an empty seat.