2021-08-02
Laura Mvula
Pink Noise

Laura Mvula finally came back after like 6 years with a new album, and it's inexplicably an 80s-inspired, wet-drum dance party, which is better than that flippant description would lead you to imagine, but still nothing I really need in my rotation.

2021-07-22
King Crimson
Three of a Perfect Pair

Nobody ever told me that Three of a Perfect Pair rules. Like it's kinda like Discipline, and I've always liked Discipline but it's never been my favorite or anything. This one came later and I always thought it was, like, King Crimson's ReLoad. Well, Beat was ReLoad so this is more like ReReLoad.

But nope. Spanks.

2021-06-24
Japanese Breakfast
Jubilee

The first Japanese Breakfast album was real good. The next one wasn't as good. This one isn't as good, but it's sure better than the last one.

Well, no. Actually this might be better than the first one? Maybe? I just get confused because the first one has "Everybody Wants To Love You" on it, which is such a good song that it warps the gravity of all the other songs around it. So really I don't even know how good that album is. But I also know it's the best thing anyone has ever recorded.

This one only has "Be Sweet," which is only the second best song they ever recorded, even though it would maybe be another band's best song if another band had written it. But alas Japanese Breakfast is the unlucky band who wrote "Everybody Wants To Love You," and I'm sitting here trying to do the math.

2021-06-17
Black Midi
Cavalcade

Black Midi sounds like King Crimson now and I think that's a great decision on their part.

2021-05-20
Matt Sweeney & Bonnie Prince Billy
Superwolves

Every time Will Oldham releases something new, I immediately think "It's his best album in a decade!", and then immediately forget about it. But I think this one might actually be the one.

2021-05-09
Arooj Aftab
Vulture Prince

Arooj Aftab makes music that lands somewhere between Jose Gonzalez, Nick Drake, and Sade, all filtered through the melodic intuition of someone raised with a deep love and knowledge of her native Pakastani music. It's totally beautiful, and flawless from top to bottom. Even the somehow-not-regrettable reggae track.

2021-05-08
Cumbie
EP

A few years ago I fell in love with this English band called Trust Fund. They released 3 albums in fairly quick succession, and then more or less retired from music.

Cumbie sounds a weird amount like Trust Fund. Like if you told me one or two of these tracks were new (or archival) Trust Fund recordings, I wouldn't question it. But the one thing that sets Cumbie apart is that, every now and then, once or twice per song, they become metal. Like yeah the black metal logo and dark doomy cover artwork is kinda tongue-in-cheek, but also kinda not. You can tell that this band, for all their indie power pop punk jamming and twee sing-song melodicism, come from a place of long-haired, double-bass-pedal heaviness. They've got guts. So much so that those moments make me stop comparing them to Trust Fund. But then they start singing again and I can't get past it.

Cool little EP though. I think this band has the potential to do some killer stuff if they keep at it.

2021-05-08
Brother Guy
The Wavey Session 1

Here's a weird one!

Bandcamp earlier this week posted a little list of "Jam bands for people who don't like jam bands." Hey, I'm a person who doesn't like jam bands! So I scrubbed down the list, and it was mostly experimental, jazz-adjacent stuff that was interestingish, but not exactly "jammy." Then the last entry on the page, Brother Guy, appeared, with its wavy gravy cartoon bird cover art, its literal wavey title, and an actual hedging apology from the list's author. "Ok so this one actually sounds like a jam band, but hear me out!"

So I hit play on The Wavey Session 1, and yep it sounds like a jam band! But true to the spirit of the list, it felt different. A little looser, scragglier, a sense of people in a room jamming, missing notes, feeling each other out, all with something closer to an "indie" flavor rather than something more phishy. Like these guys had been playing all day, and were just a little sleepy and tired of trying to impress anybody.

It also went on for 42 minutes. One song. Like, really truly a jam, more or less on one chord progression, no vocals, one little hook of a melody that repeated throughout, and slowly changed and morphed. 42 minutes, and I enjoyed every one of them! Then the next track clocked in at 26, the next another 26, with an added sax section and a more hypnotic jazz vibe. But again, I really enjoyed all of it! I ended up listening to the entire collection later that day, and again the next day!

I don't even know what I'd point to as being remarkable with this band. They don't seem particularly talented, there's nothing going on here that's pushing any boundaries or creating any unique moments of transcendence. But they just play with such patience and ease that 40 minutes of one dang song breezes by in no time. I might even go buy part 2.

2021-05-04
WILD POWWERS
What You Wanted

I randomly stumbled on this band Wild Powwers (I will not style it as WILD POWWERS) on Bandcamp, just looking through their best sellers. Bandcamp: it's good.

Anyway not a ton to say about it, other than that it's another case of a heavy, grunge-inspired, female-fronted indie rock band that is just pitch-perfect in its presentation and construction. It's a damn pleasure to listen to. It vibes. But unlike last year's Pillow Queens, an equally pitch-perfect rock outfit, I don't really remember the songs. Unfair to compare to Pillow Queens because that album is seriously this close to being a modern classic, but WILD POWWERS (oops) just doesn't quite have the songwriting chops (or the Irish brogues) as that group.

Still! Rocks.

2021-04-29
Andy Stott
Never The Right Time

Andy Stott has appeared on my radar a couple times in the last few years, as the sort of moody, melodic, progressive electronic artist that might move the needle for me. I'm still not totally sold on his music (it's nice enough), but the album cover of Never The Right Time is so great that I just went ahead and bought it anyway.

2021-04-22
Horndal
Lake Drinker

This band sounds more like Mastodon than any band I've ever heard (other than Mastodon. And that includes Baroness, who I once claimed released that year's best Mastodon album*. This is a concept album about how a Google data center is destroying their blue collar Norwegian town and their lead singer sounds like a cartoon bear, and it all works incredibly well.

* This was a fucking harebrained and wrong statement for me to have made in the first place and I can't stop apologizing for making you read it. That was the year that Crack the Skye came out for cripes sake, which I've come to recognize is actually the best Mastodon album. I've also come to recognize that Baroness kinda stinks. Well they don't stink, but they're dull. I'm happy to let Horndal replace them in non-Mastodon years.

2021-04-22
Tedeschi Trucks Band
Revelator

"Midnight In Harlem" is still one of the most perfect things ever recorded. 10 years ago I posted about this album and was very carefully self-effacing about it, and yeah it's a corny song on a corny album from a corny band, but seriously. That song.

2021-04-17
Genghis Tron
Dream Weapon

If you don't remember Genghis Tron (and unless you're one of maybe, like, 2 people I can imagine reading this right now, you don't), I'm already too exhausted trying to explain their whole thing. Basically, like around 2004-05 or 08 or 09, this band appeared who played the most spastically, hellishly intense extreme hardcore-indebted metal, but combined it with Tron era, Kraftwerkian electro beatz. I mean, it's right there in their name, Genghis Tron. The whole thing easily could've played as a joke, but they somehow pulled it off in a way that felt legitimate. They were good. But after just one EP and two full lengths, I (and seemingly the band itself) decided I'd had enough Genghis Tron for a lifetime. Relegated to the fondly remembered but hardly revisited CD booklet of nostalgia.

15 years later, out of absolutely nowhere, they suddenly returned. And every 35+ music blogger and leftover Stereogum and Brooklyn Vegan commenter said, in unison, "Holy shit I remember Genghis Tron!" Not only have they returned, but galdarnit they've grown up! They still play hard-ass metal with retro electronic foundations, but they've somehow now molded it into something entirely devoid of novelty. They now play adult music for adults. No more screaming, very few blast beats, cheeky synths replaced with chill synths. And it's good! Very good!

This music actually scratches a rare itch that very few metal bands are able to find. It's the idea of heavy music that soothes. The guitars tear, the drums pound, but the ultimate effect is more hypnotic than aggro. It's chill. The debut from the band Astronoid a couple years ago hit this sweet spot, and Deafheaven occasionally gets there when they aim that way. But it's really rare to hear a band succeed at stiff as a board, light as a feather. Especially impressive when you think about Genghis Tron's original releases, which were entirely about knocking you senseless and spinning you dizzy.

2021-04-14
Floating Points, Pharoah Sanders & the London Symphony Orchestra
Promises

Alluring, angelic, beautiful, brilliant, colorful, dazzling, delightful, divine, elegant, exquisite, glorious, gorgeous, handsome, heavenly, impressive, lavish, lovely, luxurious, magnificent, majestic, opulent, pleasing, pulchritudinous, ravishing, resplendent, splendid, stunning, sublime, sumptuous, superb, transcendent, triumphant, wonderful, wondrous, okay hold on I have to think of something that starts with Z.

2021-04-14
serpentwithfeet
DEACON

For years I've thought that serpentwithfeet was a caustic experimental, bleeding-edge electronic producer—someone like an Arca or Oneohtrix Point Never or Forest Swords. Turns out he lands much more between an Antony and Frank Ocean and Sampha, a heart-on-sleeve, unrepentantly queer, unrepentantly black, unrepentantly musical songwriter, with a capital U and Q and B and M and S to all of that. Yeah there's an edge to a lot of it still (I guess he used to do more grim electronic stuff), but some of the songs on here come off as practically cute. "Me and my boo wear the same size shoe." Come on, that's sweet.

Great album. The kind of album that makes me think somebody should be massively popular and successful but probably won't get there until he's sanded off all the edges.

2020-03-28
Katz's DeliManhattan
Pastrami on rye

Way, way, way back in the early days of this music and food blog, I posted about Katz's. I recommend that you don't go back and read it, but the gist was: Katz's is pretty good, but wowie is it expensive, and I bet you can do better!

Well now I'm older (much), wiser (a little), and richer (just barely), plus I actually live in this goddamn city, so I feel much more comfortable saying this: 10 years ago Steve was wrong as shit. Katz's is everything that is right and good in this world, and I don't give a damn that their sandwiches cost $20. Because guess what, there are other Jewish delis around town, and they're all just as expensive, and not nearly as good. Plus it's open all night!

Come to New York. Eat at Katz's. Get the pastrami. Skip the corned beef. Probably wait until like 10pm so you can actually get a table. Hopefully they make it through this junk.

2009-08-28
Katz's DeliManhattan
A pile of money on rye

Katz's is supposedly one of the last original non-chain Jewish delis in New York, so of course we had to go give it a shot on my last day in the city (since I wasn't going to have time to fulfill my dream of throwing a trash can through the window of a racist Brooklyn pizza joint). It was delicious. There is no doubt about that. And the restaurant, while very large, certainly had a legitimate charm and history to it. But holy cannoli, look at those prices! Given the swarms of people that must eat there every day, it's probably completely reasonable for them to charge $15 for a single sandwich with no sides, or $4.50 for a side of cole slaw. They do brine their own corned beef and pastrami so it's incredibly fresh, and I assume they make their own cole slaw and potato salad as well. But if I lived nearby, I can't imagine wanting to go there too often. It was probably better than Cecil's (very different, at least), and at least as good as Mort's (and now that I think about it, Mort's certainly isn't for penny-pinchers), but I'd bet if you're living in Manhattan, you probably have a handful of places that you can get a comparable meal for half the price. Although I doubt you'll find better potato salad.


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