01.21.2019
Foxwarren
Foxwarren

At the beginning of 2018, I discovered this record The Party by a Canadian singer songwriter named Andy Shauff. It's a great album of great songs, and it was one of my favorite albums of the year. Except I couldn't put it on my Best of 2018 list because it came out in 2016. Oops. But then, late in December, like a traveling magi visiting my midnight stable with the region's finest frankincense, Andy Shauff's band Foxwarren releases their new album. And while it's not quite as great as The Party, it's still damn good, and more or less sounds like a Shauff album. See Best Of list below.

12.31.2018
Steve's Favorite Music of 2018
A List

Oh crap it's New Years Eve and I haven't posted my year end lists yet oh my god oh my god I better hurry up! Here's the deal for this year: I'm gonna go ahead and throw EPs and singles and compilations on the list. Because there are 4 specifically that really did it for me this year, and I'm just going to treat them all like equals. It's (almost) 2019, and it's a new landscape for media! Anything goes! Content! Here's my list:

1. Ryley Walker - The Lilywhite Sessions*
2. Hailu Mergia - Lala Belu
3. Chastity - Death Lust
4. Ought - Room Inside the World
5. Sidney Gish - No Dogs Allowed
6/7. Jeff Rosenstock - POST**
6/7. Barely March - Marely Barch**
8. Khadja Bonet - Childqueen
9. American Pleasure Club - A Whole Fucking Lifetime of This
10. Fluisteraars - De Oord
11. The Mountain Goats - Hex of Infinite Binding
12. Superchunk - What A Time To Be Alive
13. Warthog - Warthog
14. Mick Jenkins - Pieces of a Man
15. Prince - Piano and a Microphone 1983
16. Self Defense Family - Self Defense Family
17. Natalie Prass - The Future and the Past
18. Sandro Perri - In Another Life
19. Foxwarren - Foxwarren
20. The Internet - Hive Mind

*I can't fuckin believe it either
** These are tied, because they're so spiritually similar that it seems silly to separate them. Barely March basically got his break by covering a Jeff Rosenstock song for a compilation.

12.30.2018
Fluisteraars
De Oord

This is one of those beautiful rare black metal releases that makes me want to open up a window like the reformed Mr. Scrooge on Christmas Day and shout, "You there, boy, tell me, why can't all black metal be this good??". And the boy will look up and answer, "Why, because it's Danish sir!" Well, I don't know if the Danish part has anything to do with it other than making their band name nearly unpronouncable, but the point is that Fluisteraars have unlocked some sort of black metal composition holy writ, and every one of the 15 minutes of this song (yes it's just one song, but it may as well be a full album. A symphony, even) is perfect. I've dug into some older work of theirs, and while it's quite good, I feel like De Oord is where they've really figured it out. So kind of like VRTRA from a couple years ago, I'm going to be on the edge of my seat waiting for these Danes to release a new full length as soon as possible.

12.30.2018
Mitski
Be The Cowboy

Everyone's real into this Mitski album but I'm kinda not. I think it sounds like St. Vincent but not as good.

12.13.2018
Blake Mills
Look

Blake Mills released a beautifully unique alt country (?) album back in 2014 that I can no longer listen to because it's just one of those albums. Then I guess he just started producing for other artists ($), which is remarkable in 2018 because he's what you might call a guitar guy and it's 2018. But now he's finally returned! With an all-synth instrumental EP? Okay. It's very chill, which, by the way, in 2019 I'm hoping chill will no longer be an adjective. Or verb. I also hope Blake Mills puts out some more music. Because, look, Look is good and chill (shit!), but this guy has to have more up his sleeve.

12.08.2018
Ryley Walker
The Lilywhite Sessions

My relationship with Dave Matthews and his band is a complicated one which I won't get into here. Well actually, it's not that complicated and I will get into it here: I don't really like Dave Matthews Band, but sometimes they do something that I like. There. So. Ryley Walker, whom I have already written about on this blog during this calendar year, apparently grew up a huge Dave Matthews fan, and even though he's now an infamously scuzzy Chicago post-Tortoise-rock figurehead, he has not let go of his love. So after releasing one fantastic album this year (Deafman Glance, as seen on my top ten albums of the year list, I'm sure), he decided to get some of his cuzzy Chicago post-Tortoise-rock friends together and record a full album cover of a Dave Matthews Band album. And it's shockingly good. Maybe even better than Deafman Glance, which I've already pointed out as being in my top ten this year. It's a passionately earnest album; although I don't know the original DMB version of The Lilywhite Sessions, it's clear that Walker isn't trying to deconstruct or reinterpret or otherwise ironically play these songs. Yes, he's doing it in his own voice, and changing arrangements here or there, but it's fully from the heart, lovingly performed, and fully musical. Almost makes me want to dig in to the original Dave version lol jk yeah right.

11.08.2018
Warthog
Warthog

I hate when people say things "rip," but this album rips.

10.02.2018
Low
Double Negative

This new Low album is indeed the best Low album in a long time, but also isn't the paradigm shifting masterpiece that some people are making out to be. It's a real cool headfuck and a good listen while out for a walk late on a cool autumn night though.

09.16.2018
George Clanton
Slide

I got this album by this "George Clanton" kid, who does "vaporwave"—which I can hardly stand to type without using scare quotes—and it's so dreamy and odd nebulous and that I forgot that I even bought it until I just saw it in my iTunes. This has happened every other day for the last two weeks. I mean "dreamy and odd and nebulous" in the best way though. I honestly don't exactly know what "vaporwave" usually sounds like, although I sort of kind of have the general idea of it, but this isn't exactly that. This is something else, some kind of millennial fantasy of XTC with trip hop breakbeats and shoegazey drones, and a bit of modern day bedroom r&b. Actually it plays well with this year's American Music Club's A Whole Fucking Lifetime Of This, the idea of a young 20-something taking a bunch of "old" 90s touch points and throw them seemingly blindly into a home recording blender and pouring out a mix that is, my god, something interesting and listenable. Also it makes me wonder if Jack Drag is ever going to have a renaissance.

08.22.2018
Trust Fund
Bringing the backline

Apparently this is going to be Trust Fund's last album, which is a bummer because I feel like Trust Fund still has unexplored greatness in them. That's unfair actually; their Seems Unfair album is truly great. Really everything they've done is some shade of great, even if this one is a little paler than the others. But I still don't want them to stop. We'll see.

08.22.2018
The Internet
Hive Mind

I'm gonna make this statement, but I'm not gonna be too passionate about it: The Internet's "La Di Da" is my Summer Jam of 2018. Except I still can't figure out where the beat actually lands; it's as if they took the ProTools file and shifted every track over by a half beat. Still a cool song though. Steve Lacy gets it.

07.25.2018
Melody's Echo Chamber
Bon Voyage

This album is basically Dungen and Tame Impala jamming while a French girl coo's some vocals over it. Your mileage may vary. My mileage, however, will very.

07.24.2018
Deafheaven
Ordinary Corrupt Human Love

I'm still not sure what to make of Deafheaven. When they do metal they're great, doing shit that no other black or death or whatever metal band has the guts to do. Major chords, earworm melodies, true subgenre agnosticism, flipping between blastbeat noise and cool thrash riffs, and the occasional bit of glam rock boogie. Unlike so much of the metal world, they follow their muse. But then, more often than not, the muse takes them right into post-rock. When Deafheaven does post-rock, it's rote, tedious, Explosions In The Sky knocking bullshit. It's boring. That's part of why their first album Sunbather didn't excite me as much as it did for everyone else in the world. But then New Bermuda cut out a lot of that and focused more on riffs and momentum, and they felt like a whole new band. So it bums me out that so much of this new one is filled with this meandering post-rock filler, because when they turn up the volume and get down to business, it's as incredible as advertised.

07.20.2018
Chastity
Death Lust

Hey, who wants some rock music?? Here's this band Chastity I just starting digging into, and they do pretty sweet sounding sort of Hum/Deftones/Failure/Pumpkins inspired huge rock that was pretty uncool for a while but now is halfway coming back into vogue with some more random Bandcampy corners of 20-something guitar kids (see also: Bilge Rat, Nothing, Cloakroom). I like it a lot. Plus tracks 5 and 6 would be legit hit singles if hit loud rock singles were still a thing.

07.20.2018
Imperial Triumphant
Vile Luxury

I've never heard any metal band like Imperial Triumphant, and that's such a rare thing to happen these days that I want to go out and tell everyone I know how fucking crazy this album is and that they should listen to it. Except it's so fucking crazy that nobody I know would even know where to begin to make sense of it, and they'd probably be mad at me. But dudes! This shit is like, free jazz black metal! Or is it blackened death jazz? I don't know what it is. But it's absolutely colossal and I wish more metal bands would have the guts (Gorguts?) these guys have to just try something.

05.26.2018 - by Steve
Roman's CafeColumbia Heights
Chicken fried steak

Columbia Heights contains multitudes. Vegetarian Indian restaurants, hole in the wall taquerias, the best Korean restaurant in the city. Flameburger. And I'd assumed I'd explored it all, having driven and biked down nearly every major street in what isn't very large suburb. But then I discovered 40th Avenue. I don't know how I hadn't seen it before, but there's this little strip of businesses on 40th that feel almost like an abandoned downtown, or at least an attempt at neighborhood-building that stalled out at some point in the 70s. But on this stretch are 3 food establishments of note: Amos & Amos barbecue (you've never heard of it, have you?), Miller's Bar (you've never heard of it, have you?), and a greasy spoon breakfast nook called Roman's Cafe (consider it heard-of). Amos and Amos looks a little questionable, Miller's supposedly has great burgers—we tried going there twice now and both times it was packed—and I can now finally report back on Roman's. And the report is good. This is a legit, kinda gross but in a good way, hole in the wall. Everyone who works there appears to either be part of the same family or the same biker gang. Or at the very least, the same AA program. It lacks any of the charm of somewhere like Ideal Diner, or even Fat Nat's. It's mom 'n pop in the truest sense, the kind of place that often seems like it might be great, but in reality is often just a mess. But Roman's is the real deal. They're doing it. Hearty and well-prepared breakfast food for totally decent prices. My chicken fried steak might have been the best I've ever had. It was freshly battered, rather than some frozen bullshit, hot and crispy, and the steak inside wasn't chewy or mushy. Top notch. The hashbrowns weren't anything spectacular, but they were exactly what you'd want. Meanwhile, Erin ordered the Big Johnson, the very classy breakfast special that is apparently their claim to fame. I don't remember what all was in it, but it did come with a polish sausage. And let me say, have you ever had a polish sausage with pancakes? It's outstanding. Nicely char grilled too. Anyway, I can't imagine Roman's blowing up or selling out any time soon, since it's located in the Columbia Heights Mystery Zone, but hopefully they can at least stay in business long enough to get back there one or two more times.