07.25.2018
Melody's Echo Chamber
Bon Voyage

This album is basically Dungen and Tame Impala jamming while a French girl coo's some vocals over it. Your mileage may vary. My mileage, however, will very.

07.24.2018
Deafheaven
Ordinary Corrupt Human Love

I'm still not sure what to make of Deafheaven. When they do metal they're great, doing shit that no other black or death or whatever metal band has the guts to do. Major chords, earworm melodies, true subgenre agnosticism, flipping between blastbeat noise and cool thrash riffs, and the occasional bit of glam rock boogie. Unlike so much of the metal world, they follow their muse. But then, more often than not, the muse takes them right into post-rock. When Deafheaven does post-rock, it's rote, tedious, Explosions In The Sky knocking bullshit. It's boring. That's part of why their first album Sunbather didn't excite me as much as it did for everyone else in the world. But then New Bermuda cut out a lot of that and focused more on riffs and momentum, and they felt like a whole new band. So it bums me out that so much of this new one is filled with this meandering post-rock filler, because when they turn up the volume and get down to business, it's as incredible as advertised.

07.20.2018
Chastity
Death Lust

Hey, who wants some rock music?? Here's this band Chastity I just starting digging into, and they do pretty sweet sounding sort of Hum/Deftones/Failure/Pumpkins inspired huge rock that was pretty uncool for a while but now is halfway coming back into vogue with some more random Bandcampy corners of 20-something guitar kids (see also: Bilge Rat, Nothing, Cloakroom). I like it a lot. Plus tracks 5 and 6 would be legit hit singles if hit loud rock singles were still a thing.

07.20.2018
Imperial Triumphant
Vile Luxury

I've never heard any metal band like Imperial Triumphant, and that's such a rare thing to happen these days that I want to go out and tell everyone I know how fucking crazy this album is and that they should listen to it. Except it's so fucking crazy that nobody I know would even know where to begin to make sense of it, and they'd probably be mad at me. But dudes! This shit is like, free jazz black metal! Or is it blackened death jazz? I don't know what it is. But it's absolutely colossal and I wish more metal bands would have the guts (Gorguts?) these guys have to just try something.

07.16.2018
Gang Gang Dance
Kazuashita

Gang Gang Dance is the type of group that I always feel has the potential to do something truly transcendent. Despite not really being "my kind of thing," their last album Eye Contact really blew me away, and had a few moments on it where I just wanted to stand up and find anyone around me to yell "are you hearing this‽" at. Other moments of it, meanwhile, were just kinda good. So then here, after like 5 years, we have Kazuashita, which is better than just kinda good, but at the same time doesn't seem to have any of the "are you hearing this‽" moments in it that I wish it had. It's just mostly very chill, and borderline new-age. So yes, it's a very pleasant listen all the way through, with one almost transcendent moment, although it's a bit of a cheat because it comes from a spoken word vocal sample layed over the music rather than the music itself ("buffalo".) But hey. It's a nice listen and I like it.

07.11.2018
Self Defense Family
Have You Considered Punk Music

So this is a band called Self Defense Family, and the album is called Have You Considered Punk Music, and it's one the most earnest collections of musical recordings I've ever heard. It's good and you should listen to it.

07.09.2018
Kamasi Washington
Heaven and Earth

I'll be honest—I haven't actually listened to Heaven and Earth in full yet. I'm not even sure how that's supposed to be done; every song on it is the biggest, fullest, most epic jazz odyssey ever recorded, and there's two discs worth of it! It's like watching 2001 front to back and then turning on Andrei Rublev without even getting up from the couch.

That's a terrible comparison and I'm going to edit it out later. But I'm just trying to get this music blog done so I can go to bed, so let's keep moving, yes? So: everything that Kamasi Washington has recorded so far is astounding, and Heaven and Earth is too. Just the most correct shit, over and over again, one track after another. Choirs, strings, dueling drum sets, vintage synthesizers, noise prog guitar solos, spoken poetry, wah pedals, talk boxes. Everything is on this album. You're probably on this album. Bet you didn't know it. The craziest thing about all of it is that it all makes sense.

07.09.2018
Natalie Prass
The Future and the Past

I didn't like the first Natalie Prass album all that much at first. But then I liked it a little more. And then I liked it a lot more. And now it's one of my favorites of the last few years.

I don't like this new Natalie Prass album all that much.

06.19.2018
Father John Misty
God's Favorite Customer

It's interesting how little I have to say about this album, in relation to how much I like it. I mean, not that interesting. But like, know what I mean? It's a completely solid album from front to back, and Father John Misty is a songwriter par excellence, truly and not even ironically the Randy Newman of our generation; which isn't to say that he sounds like Randy Newman or that you'd ever confuse the work of the two, but he's a too smart for his own good asshole, who treats the art of songwriting itself like a test that he has to ace, blindfolded and with his left hand, a tight rope slung in between towers with no net that he's going to walk across even though nobody asked him to. But the motherfucker nails it, is the thing, every time, even if tight rope walking isn't that big with the kids these days.

06.19.2018
Ryley Walker
Deafman's Glance

I liked this Ryley Walker album a lot, but then it struck me just how much it sounds like Jim O'Rourke. Now I still like it a lot.

05.26.2018
Courtney Barnett
Tell Me How You Really Feel

I've been as much of a Courtney Barnett advocate as anybody in the last few years, proclaiming to anyone who will listen how she is One Of The Great Music Authors of our generation, a rare Genuine Voice in a world full of poseurs and trend hoppers. What I'm saying is that's she's the fuckin best. Listen to "Avant Gardener"! Listen to it! Do you hear it??

So anyway, she just released her third album, which very learned people will tell you is um actually he second album, since her first album is just a collection of 3 EPs, even though that's nonsense and this is her third album whether you like it or not. It's a bit of a departure, in that it's all a bit darker, slower, seemingly basking in ennui rather than writing circles around it. It's good, I like it. It just seems like she's going through some stuff, man, you know? Except there's this one part on "Need A Little Time," in the chorus, where she switches from "Me...eeee...eeee.eeee" to "You...ooooo...ooo," and the chord changes and the guitars crunch a little more, and it's glorious. Listen to it! Do you hear it??

05.24.2018
Eleanor Friedberger
Rebound

Good tunes.

05.22.2018
Beach House
7

This new Beach House album has really great cover art. It's printed on a shiny, metallic, somewhat opalescent paper that cuts through the black and white pop art, and is very psychedelic and cool and was probably very expensive for Sub Pop to manufacture. This is also the review of the Beach House album. 7/10.

05.02.2018
Yazan
Hahaha

Weirdo psych blues rock that sounds kinda like Retribution Gospel Choir is Retribution Gospel Choir was a lot funner and a little goofy. To be honest I bought this on a whim, and I keep forgetting about it.

04.16.2018
R.E.M.
Monster

I've been listening to "What's The Frequency Kenneth" endlessly in the last few days. It's a strange choice, I know, but the song has completely hooked itself into me. The proximate blame goes to Scott Aukerman and Adam Scott's new podcast "R U Talking R.E.M. Re: Me?", where they talk about R.E.M. for an hour every week, even though they haven't even gotten to Monster yet, and really I don't find their analysis and discussion of the band all that interesting. It's just a fun goofy listen. But what it has done is made me revisit their records with fresher ears, and ultimately that's what's making me think I've grossly underestimated these guys my whole life. They're really fascinating once you lay it all out, almost by being so un fascinating. There are no major peaks and valleys to their career; there's no drama, no grand failed experiments, no major lineup changes. And yet since 1983, these dudes have released so many undeniable hit songs, entirely in their own voice, making (practically) no concessions to fashion or popularity. Every single album (at least until the 21st century, where you can forgive them for being 20 years into their career) has at least one song on it, usually 2 or 3 and sometimes 4, which would be any other band's creative pinnacle, most of which have since entered whatever we can describe as the modern rock/pop canon. It's remarkable.

Even Monster, which at the time perhaps got some criticism for selling out to some grungy, alt-rock zeitgeist, has mostly aged beautifully, and contains at least 2 all time greats. One of which, to take us back to the lede, is "What's The Frequency Kenneth", which, again, was kinda made fun of at the time for being alt rock nonsense. But listen to it! It's great! It's an undeniable jam. And even though they might've distorted the guitar a little more than previous albums, it is anything but a grunge cash in. It's pure and beautiful and perfect. And lucky for all of us, you can find dozens of copies Monster for $2 or less at every used record store and thrift shop in the country.

04.02.2018 - by Steve
This & ThatManchester
Curry